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Showing posts with label bonobo. Show all posts
Showing posts with label bonobo. Show all posts

05/01/2011

"Half Seas Over, Wild Nothing, Beach House, William Brittelle: the year that was"

I'm charging unashamedly at the 'Top 10 of 2010' theme that's predictably all over the net around the new year. But never mind. This little bloggington has thrown in its two cents and now it's throwing in those of an esteemed colleague. Ahoy!

Not to blow our own trumpets or anything- and pretend for one minute that we are authoritative- but hopefully some of you friends, and people who have strayed one google page too far (12,682) will stumble upon a track or two, enjoy it and go and search for some more. And, it's for THIS mind to wonder whether that hypotethical scenario has come true, and take comfort in the thought regardless...

TOP 10 of 2010

1. White Hinterland Kairos
The perfect summer montage album. Put this on when it gets warm again and you're lazing around in the sun.

White Hinterland- Icarus

2. William Brittelle Television Landscape
This album seeks to challenge what you know about music. It is one hell of a crazy journey through an enormous soundscape. It's one of those albums you could listen to for years and hear something new in the mix each time.

3. Hans Zimmer Inception
The soundtrack to what is probably my (editorial: 'his') favourite film of all time. There aren't many soundtracks that can stand alone from a film and still amaze me. This is one of them. Definitely Hans Zimmer's best work.

4. Beach House Teen Dream
A dreamy and eloquent third album from Beach House that has earned them thoroughly deserved critical plaudits in 2010. Best enjoyed on the train home after a night out.

Beach House- Norway

5. She & Him Volume 2
The second instalment from actress Zooey Deschanel and musician M Ward. Great songwriting combined with catchy vocal hooks makes this album one of my instant favourites.

She & Him- Home

6. Glasser Ring
If you like harmonies and beautiful voices then this one is for you. As soon as the echoes kick in on "Home" you'll be sold. (See below for full post)

7. Bonobo Black Sands
A great instrumental album that I'm sure made many people's top 10 lists this year. Certainly recommended if you're a Zero 7 listener, but again, like Beach House's Teen Dream, an excellent travelling album too.

8. Stornoway Beachcomber's Windowsill
Legitimately one to sing along to. Either turn off or enjoy the great lyrics. "The End of The Movie"? Goosebump inducing.

9. Wild Nothing Gemini
Wild Nothing featured prominently on Top 10 lists elsewhere, but of course cannot be fully recognised as such (and as a 'one to watch') until featued here. This album reminds me of early 90s indie pop. Similarly if you're a fan of The Smiths you'll love it.

Wild Nothing- Chinatown

10. Half Seas Over Half Seas Over
Singer-songwriter Adam McBride-Smith teams up with pianist Elan Mehler to create a jazz/folk album that brilliantly fuses the two and suggests McBride just might be the next James Taylor. Remember, you heard it here first...

Half Seas Over- Sad Mona

02/01/2011

STARTING AT 2010.


In the age of the fractured music audience, it only seems fair that this be a list of albums I discovered in 2010 rather than those that came out in 2010. With almost all music standardised, accessible and instantly available, time has flattened. We just have now an astounding catalogue of sound that has quietly crept up on us and presented, to be explored via the internet (and hopefully bought too).

The 10 in this list illustrate that very point in my view, coming from different eras and genres, even the oldest/most obscure of which- Al Wilson’s Show and Tell is really just a type away. It’s filed below Al Green and above All American Rejects. Sleigh Bells’ Treats is conversely probably the ‘biggest’ album on the list. Like La Roux, Bombay Bicycle Club or Phoenix, they have steadily but quietly built an imposing profile (here in Britain), spearheading this year’s output of blogosphere headline-making pure indie. By comparison, James Blake is perhaps at an earlier stage of his germination into the popular zeitgeist, and it remains to be seen where he will go. CMYK and Klavierwerke EPs were two defining records of 2010: they sat on the dance counter at Rough Trade in Shoreditch and very soon trickled away. They spawned an ambush of the Radio 1 playlist, shows and the announcement of his first long-play, due in 2011. A young, promising and exciting artist making music in a great era of creativity and musical dialogue, his success next year might be a further measure of the potential the online music world has granted artists to cross boundaries and escape genres or musical and geographic scenes. Musically, James Blake and How to Dress Well, as well as many other artists on both sides of the Atlantic show that past, present, dance, hip-hop, pop, R&B, dubstep, dub, dancehall, electronic and organic instrument-led music can be seamlessly brought together. Mount Kimbie's Crooks & Lovers is another such example, and the remaining album on the list released in 2010.

The #1 in the list is DJ Jazzy Jeff’s second solo effort The Return of the Magnificent, which I think-although I don’t know- passed unnoticed on the US R&B charts, as well as here. The star who is so often (hell, always) obscured by his lankier former co-artist deserves not just commercial and critical recognition beyond his 90s pop smashes with Will Smith, I think, but a profile that matches the best R&B and hip-hop artists of the post-millennium. When I first heard ‘Come On’ from the album covered here, it was immediately up there with 2Pac’s ‘Keep Ya Head Up’ in my mind, and has not yet come down. The druggy chill of ‘The Garden’ and summer strut of ‘The Definition’ sound like they deliver exactly what Jeff wanted from them- a perfect, focused flow of open-top car radio goodness that lasts through the initial high, out into the open road and into half-asleep in the back chill out in a hefty 78 minutes. The other hip-hop album on my menu is Jurassic 5’s self-titled LP. Yes, I know- this is firstly a classic that perhaps shouldn’t be on the list (not least because I should have discovered it sooner), but it’s fresh to me so it stays. ‘Concrete Schoolyard’, ‘Improvise’, ‘Without A Doubt’, ‘Lesson 6’: of course some of the most awesome sounds of the rap underground, splicing drum fills, Cut Chemist’s crazy public information samples and turntables that sound like flutes…or the other way round.

Turning to some other random choices, White Denim have been referred to previously on this blog and is one artist that you could be sure is the only in any list of the top 10 of 2010 that wasn’t meant to be in there. Last Day of Summer was in fact just an online-only update on how the band’s third LP is coming along. See below to download it.

With regard to Life of Leisure, that was for me, the album that led the tidal wave rushing towards our shores in late 2009 of American lo-fi indie. A dirge of sluggish, distant melody and synthesisers beating reluctantly, wearily, Washed Out captured the haziness of long, lazy hot days and bottled it. Best Coast, Summer Camp and others pushed similar buttons over the year, employing similar production techniques and pushing for their formulations of lethargic disconnection, but to me, no other finished product was as multi-layered or resonant. This has been an exciting year generally for lo-fi music, driven by many excellent blogs presenting excellent bands seemingly out of the blue. Although featuring on them, Bonobo’s Black Sands was brought to my attention by a friend, and from the first opening montage of soundscape I was hooked. (See below). That particular part of the album might have been a suitable soundtrack for the blockbuster of the year, Inception, with all its soaring strings and ominous undercurrent chanting brewing a dream-like world. However, as opposed to that created in Life of Leisure, it is one that brims with detail. That world makes the album: it fleshes it, informs it, gives it wings. You can soar over endless green hills and into tropical storms: an atmosphere so pertinent that music becomes just an accompaniment to imagination.

Lastly, I was glad to discover Talking Heads this year. The band’s big, consistent output has been rewarding and fun all round, and finally ‘clicked’ when I heard ‘Sugar on my Tongue’ from the album 77: a provocative, slightly disturbing test tube filled with either sex, anger, man, woman- some combination of everything with an angst plug and shaken.

So concludes. At a bit of a stretch and ramble, that was my top 10 of 2010. There was a lot of enjoy this year-a great deal- a huge deal- most of it unknown and untouched, inevitably leaving us all basking in little wee specks in contrast to the massive edifice. And to think that we sleep…


1. DJ Jazzy Jeff The Return of the Magnificent (2007)

DJ Jazzy Jeff- She Was So Flyy feat Kardinal Offishall
DJ Jazzy Jeff- Come On feat. Dave Ghetto

2. Bonobo Black Sands (2010)

3. White Denim Last Day of Summer (2010)

White Denim- Some Wild Going Outward

4. Jurassic 5 Jurassic 5 LP (1998)

Jurassic 5- Concrete Schoolyard

5. Sleigh Bells Treats (2010)

6. James Blake CMYK/Klavierwerke (2010)

James Blake- Klavierwerke

7. Talking Heads Best Of (2004)

8. Washed Out Life of Leisure (2010)

Washed Out- Hold Out

9. Al Wilson Show & Tell (1973)

Al Wilson- Broken Home

10. Mount Kimbie Crooks & Lovers (2010)

Mount Kimbie- Before I Move Off

28/07/2010

Bonobo- Black Sands


Bonobo’s album ‘Days to Come’ won Gilles Peterson’s Radio 1 listener’s prize when it released in 2006. A very quiet and steady orchestration of down tempo chillout, it occupied a similar musical space to The Cinematic Orchestra, Air and Zero 7. Sparse, gentle: the sort of thing that traditionally found interest among people listening to music all day long, and using sounds like this as a background canvas. Bonobo has featured on adverts, subtly lifting the mood without anyone knowing. Today, ‘Black Sands’ hovers in the ‘picks’ list of alternative download service Emusic, and has a featured position on the shelves in Fopp (that’s a popular music store in London for those of you who aren’t aware.)

So what makes ‘Black Sands’ different? And why have I featured it? Well in the saturated market of minimal mood music, ‘Black Sands’ comes across as actually very deep and complicated. As many people reviewing this album on the web have mentioned, ‘Prelude’ sets Bonobo’s pace with direct strings that strike a note of nostalgia. It is a strange song and lasts only 78 seconds. In that time though, it makes a serious, wilful stamp of authority before being joined by the electric beats of ‘Kiara’. The whole album is a giant soundscape of foggy things; things you might have heard in dreams if only you didn’t forget them. At worst, the work is intriguing and at best, hypnotic.

Bonobo- Kiara