I AM BACK!

Thank you loyal readers for keeping this blog on the air. You have been reading and I have been a bad, bad blogger.

There has been SO much great new music out there. I won’t even BEGIN to tell you how the new XX album amazed me, or how Wild Nothing are currently infusing 80s urban wilderness into my discontented lungs. But my, the indie sun has shone mightily on all things in the alternative blogosphere. I would like to point out a particular success since this blog has been away – the band/London duo called Disclosure, who this blog featured way back in June 2011 (Oh yes, waaay back people. You heard it here first aite?) Well they have skkkyrocketed of late, out of oblivion and in to mass homes, on to radio and towards an excellent set that recently completed an Bestival, loosely coinciding with the release/leaking on ‘Latch’, which can be found here. There will be more to come. I just can’t figure out what to write about next. Hmmm….

disclosure- carnival

We all love that feeling of a limited release, don’t we listeners? Isn’t it a fetish when we rush to buy a song whose production run is in three figures, enjoy the triumph of ring-fencing one of those copies in our little pockets, and then gallop to the nearest listening facility and share it heartily with our friends? I think so.

Well Disclosure, comprising 19 and 16-year-old brothers Guy and Howard Lawrence, have released 'Carnival' in a seriously limited, 300-print run 7” double A-side single (that’s one copy for every member of Bruce Springsteen & The E-Street Band, probably). However, simultaneously, they have been good enough to accommodate the fact that most of us won’t be able to get our mits on one by releasing the song as part of a free 5-track EP in exchange for liking the Disclosure Facebook page. Aw, guys.

If light market whoring seems an effort, then release aside, 'Carnival' is a great song. Its 2-step rhythms bring to mind SBTRKT’s recently successful 'Wildfire', which crossed sparse dubstep and garage, and herald good things for a duo that are so incredibly young. The tight vocal loops and minimal instrumentation that have been popularised by James Blake in the past year help the song build to a crescendo: a lively ball of fidgety pop that is at once familiar and irresistibly danceable.

Disclosure- Carnival